Let the waterfall rush ...

About.

Welcome to my Website. Thank you very much for taking the time to visit it.

I have set up this site to present some of my poems in spoken and written form to you. It is my hope that they will spark your interest in wanting to purchase a copy of my present book as well as my future literary works.

Being a proud Jamaican, I have naturally also included some photos of my very beautiful Caribbean island.



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My favorite fruit: the delicious ackee, which has to be cooked before eating. Combined with saltfish it is Jamaica's national dish.

My Biography.

Jennifer M. Garnatz

author/spoken-word artist/self-publisher/songwriter

I was born in Lucea, Hanover, Jamaica, West Indies, in September 1953. In 1958, my mother took me to Kingston to live with my single father, a hotelier. (Pls click here for photo of my father). A few days later mommy suddenly disappeared out of my life. I was later told she had migrated to England. Her mother also migrated shortly afterwards. I can still remember grabbing onto my grandmother and crying loudly and fearfully when I saw her with a suitcase, begging her not to leave me the way my mother did. Since daddy also worked late nights, he immediately placed me in Mrs. Smythe's Boarding School on Roosevelt Avenue. Over the years, he constantly placed me in private homes to live. My mother occasionally wrote me letters and sent birthday presents. But, I never saw her again until I was 10 years old. She gave me a photo of her husband, her other four children and my grandparents. Daddy said then that a girl my age needs to live with her mother. However, she again left without me. I never saw her again until, upon my request after he was murdered in 1973, she visited me. We have remained in touch.

After winning a full scholarship to attend a Catholic high school, daddy naturally placed me under the care of the Sisters of Mercy nuns at the Convent of Mercy Alpha Academy High School on South Camp Road. I resided in their boarding accommodation only for the first three years due to its later closure, but remained a student until my graduation.

Even though the nuns were strict, living at Alpha Boarding School was one of the happiest times of my childhood. They were fair in their treatment (unlike in some of the private homes I lived in). The nuns also placed great emphasis on developing our minds — not only intellectually and religiously (lots of school work, lots of praying), but also culturally and socially, allowing us to amuse ourselves during recreation periods by dancing and watching TV briefly after school and for longer periods on weekends; by taking us on picnic excursions to the beaches in the country; to the movies and swimming pools in the city, and occasionally even to dance parties at our neighbouring Catholic boy’s school (only the older girls, naturally). We also did “social work” visiting the elderly and helping them in various ways, for e.g. renovating their homes.

I cried when the boarding section closed in 1969. My father again boarded me out with a family — and sadness crept in again. They were often unkind.

June 1971, I graduated from Alpha. It meant returning home to live permanently, instead of just on vacations when my grandmother came from the country to ‘chaperone’ me in the house. (Pls click here for photo of my paternal grandparents). Out of rebellion against my father for not allowing me to study to become a Spanish teacher (my favourite subject at school), I skipped 6th Form, and the chance of going to university, by refusing to do my A’Levels. My other career options had been personnel management, hotel management or studying international relations to become an overseas ambassador of Jamaica. It had been extremely difficult to concentrate at school and do my best owing to the fact that I was not allowed any chance to relax. Thus, I was extremely overjoyed to have passed my O’Level examinations. A career in writing I’d planned as a sideline.

Daddy only allowed my elder half-brother Patrick and I to go out on public holidays (10:00 a.m. matinees/concerts). In his over-protectiveness — he was afraid of me coming into contact with “the opposite sex” — up until then I’d never had a birthday party, never been out on dates, had never even been to a schoolfriend’s birthday party. Having fathered 5 kids with 4 different women, guess he was protecting me from men like himself. He had been married once long before we were born. His wife died of cancer, childless. She must have been so perfect for him, he never lived with another woman. He simply just took over his financial responsibilities for us all.

He had, in fit of anger, “shipped” Patrick to Canada in 1969. The two following me lived with their mother, so I only saw them during vacations. The last one had been taken to live in the country with my paternal grandmother when he was only 2 yrs old. He was born 6 years before daddy’s death. Thus, I grew up learning to accept this imposed solitude. "Burying“ myself in reading and doing creative writing brought me a certain amount of inner peace. A pen to write, music to compose in my brain, books to read, became my means of solace. I also relaxed having fun climbing mango trees to pick the fruits during my vacations at home.

Hoping to quickly gain my independence by earning my own money (stupid of me to have thought so?), I pursued a 1-yr secretarial course at The College of Arts, Science & Technology.

July 1972, I began working as a legal secretary. Unfortunately, daddy still remained super-strict, saying I had to wait until I was 21 even to go on dates or to birthday parties at the homes of former schoolfriends. Furthermore, he still imposed a curfew: I had to be home within an hour after work — just like during my school days!

During the first 20 years of my life, therefore, I grew up with only God to “talk” to when I needed to confide in someone, reading books to keep me company and pursuing my creative writing (which I even had to hide from him). After all, I was writing love songs lyrics! I’d already filled a few exercise books. The melodies were stored in my brain.

August 11, 1973, six weeks before my 20th birthday, I received a shocking phone call in the night. The person said my father had just been shot. At first, I thought it was someone playing a stupid joke. But, when the man identified himself, I realized it had to be the awful truth. In shock, I rushed out of the house, hailed a passing taxi, and went to my father’s business place.

Forcing my way through the police and a crowd of onlookers on the street and inside his bar, I went inside. He was already lying dead behind the counter. I saw his body lying on his stomach in a pool of blood and broken bottles, his hands braced to raise himself up from the ground. He died a fighter. I also saw the bullet-hole in the temple of his head. I’ll never forget that sight. I was like frozen: I couldn’t cry. My mind was racing. I later heard he had another gunshot in his stomach.

I grew up that night, partly. God gave me the strength not to break down and cry. There was no elder relative or friend around to take charge or to provide a shoulder for me to lean on. After 20 years of an overly-sheltered life, I was brutally thrown out into the world.

I was suddenly all alone in every sense of the word. (I had never even kissed a guy, though daddy thought I’d misbehaved behind his back.) His sudden death meant I had to face the world alone with no one to turn to. After all, apart from going to work, church, and to those 10:00 a.m. matinees on public holidays, I practically lived “under house-arrest” up until his death.

Nevertheless, as naive and immature for my age as I understandably was, I had to immediately take over dealing with the police and his employees. I slept in his hotel room that night. Early next morning, I took a taxi and delivered the news to my younger siblings and their mother, then drove to the country with one of his friends to break the devastating news to our grandmother and to bring her to Kingston to prepare her to attend the funeral of her beloved son. Two days later, I met his lawyers to arrange his funeral, etc.

Again, God gave me the strength to return to work within two weeks to face the world without my father.

The tears came sporadically weeks, months and years later, flowing with such intensity rivalled only by my brain simultaneously “shooting out“ heavy poems accompanying them (See for e.g. “Reflections“ on the Poetry page and read “Happiness”, “Soliloquy I”, in my book. The latter poem deals with his treatment of all his children and what I felt are our feelings for him.). My feelings towards him can be described as love-fear.

Full of Love: because he worked extremely hard, seldom taking vacations. He succeeded in doing his best to give us a good education, decent places to live, lots of sound advices. He was indeed super-strict and abusive, but he had otherwise been a good father wanting only the best for all of his children. He just did not have a good woman around to “soften him up”. Daddy was just too macho and mistrustful to have married the woman we all wanted to become our stepmother. She later migrated to the USA.

Full of Fear: because I got lots of unjustified beatings up until I reached the age of 12 (he stopped only out of fear he could kill or cripple me), lots of unjustified loud-mouthed cursings even though I was extremely obedient up until he died (too great was my fear of him to have done anything “bad” behind his back). There were times I wished he’d beat me instead of cursing: The beatings were horrible, but they stopped after a few minutes; the cursings over the years were extremely embarrassing as they went on for days and all the neighbours could hear.

Today, many decades since his death, I am still living by lots of his words of wisdom which have opened, and are still opening, many doors for me in all the countries I’ve been to. I shall always be indebted and grateful to him for his good points.

More than 14 poems about him have emerged from my heart. It took me 27 years to present any of them in public, because I sometimes still break into tears when I envision that night.

To this day, whenever I see a film with someone being shot in the head, or even someone pointing a gun at someone, the scene of my father’s body in his pool of blood still rushes to the fore of my mind. I have to switch the channel or, if I am in the cinema, I close my eyes.

December 1979, I migrated to Germany to learn the language with the intention of returning to Jamaica to work in the foreign service or in tourism after 18 months. It was a spontaneous decision. I had been working at the Trelawny Beach Hotel as assistant sales & PR manager and noticed it was overrun with German tourists who had started coming to the island on charter planes. However, none of us spoke their language. I returned to Kingston and applied at the German Embassy for a visa. In Germany, I realized I no longer felt tormented by my father’s murder, I no longer felt afraid I could be murdered at night just as daddy was; so, I stayed longer than planned. Then the years quickly flew by. I am still residing there. However, Jamaica will always be my home. I do go home regularly on vacations so as not to become a stranger to the land of my birth. Maybe one day I’ll return permanently.

In 1999, I finally decided it was time to actively begin another phase of my life —my creative-writing sideline. God blessed me with a few talents. It was time to put another one into action. In Jamaica I had co-written a song with the talented Harald Butler. In Hamburg, I had already taken part in a poetry event in the past. To test the public’s response to my poetry, I now began participating in poetry slams and various other literary events, presenting my poems in both the English and German languages. The audiences responded positively to my poems. I even won a few prizes. This encouraged me to self-publish a poetry volume. That same year the organizers invited me to represent Hamburg at the National Poetry Slam Team Competition being held in Weimar, the famous city in which Germany’s most popular poet and author Johann Wolfgang von Goethe resided and later died.

In April 2001, I self-published my first poetry volume in a limited edition titled “romanctically erotic, deadly religious”. In 2009 via Xlibris, a books-on-demand Online publishing company in the USA, I had it reprinted under the title “romanctically erotic, deadly spiritual society” in order to make it also available to international audiences. In 2021, upon request, the 3rd edition was republished by Great Writers Media in the USA. This contains minor changes.

Left to right: 2005: Relaxing on the balcony of my hotel room in Luzern, Switzerland - 2010: Featuring as poet in Berlin, Germany, at event hosted by C.E.U.S. at Ya-Man Restaurant owned by Barbara Saltmann. - 2001: Presenting poems at St. Nick’s Pub, Harlem, New York, USA.

My sources of inspiration come from my vivid imagination, personal experiences, from seeing a word/words on paper, hearing a word or phrase, and from observations of happenings in the world. Due to my past time-consuming office jobs and my great desire to avoid as much stress privately as possible, I’ve never really had the time to complete my other manuscripts. Now that I am free of any obligations, I do intend to continue working on them at my own pace.

Apart from poetry, my hobbies include writing plays, short stories, song lyrics and composing/arranging music. I cannot play an instrument or write music notes. However, it’s a fact that a melody is born in one’s mind and not in one’s fingers. The fingers only play or write whatever the brain dictates. I record my melodies on tape or sing them to a professional arranger who records & writes down the notes for me. My other hobbies include dancing, swimming, travelling, meeting people of all ages/races/spiritual backgrounds, creating food & cake recipes, learning various foreign languages, playing the strategic games dominoes & risk, planting fruits and vegetables, above all diverse tomato varieties. I adore children and cherish giving them the love and showing them the kind of understanding I never experienced as a child; thus, babysitting kids of friends is also one of my hobbies which brings me as much joy as the kids.

I am divorced and since mid-2019 retired from my full-time profession as a bilingual management assistant. My goals are simply to live a stress-free, spiritual life, assisting those in need within my means and to continue my creative writing.













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My grandmother and her husband: Lilian & Cepherd Michael
(fondly known as “Miss Lil” & “Mass C”)
and my daddy: Rolando Bartholomew Daley








My Poetry.

All poems on this website are excerpts from my book titled “Romantically Erotic Deadly Spiritual Society”.

You may read more interesting details in my Book Description, in Purpose of Book and my recommendation for Intended Audience. Insights and opinions about my work and book from different points of view are provided for you in a few reviews.

The book is available online, also as an e-book (more here).

You can find out how I interpret and perform my poems live on the page titled Videos, Performances. I've selected here the poem OLD LOVE.

On this page I have prepared a selection of poems.

Would love to get your comments or questions via mail: info@mauvea.com

TACTICS

You sized me up —
lusting.
I smiled inwardly —
waiting.

My cool expression
did not betray me.
But I, too,
wanted
you.

Your yearning
gave your legs courage.
They brought you
to me — way up close.
You speeched me down.
While your heart
lent your lips
its voice,
I felt your excitement,
inhaled in sweet ecstasy
your heavenly scent.
I allowed you
to court me.

As I finally gave in,
giving you my all,
you began
sticking out your chest
like a proud cock
going around boasting
to all your friends
stating
you captured
me
easily.

Buuullshit!
You see,
I, too,
had eyed you —
lusting, wanting.

Oh yes!
I, too,
wanted
to possess
you.

Now
I’ve got you.
Ha!


OLD LOVE

Like cowardly soldiers

our energies

have deserted.



You can’t

bear me

up,

nor can I

keep it

up.



So, let’s just kiss

and fondle

each other’s bundle.



Think of the fun

we had when young.

Aaaaaaahhhh!

REFLECTIONS

God,

I pray

because

I know You care.

I pray

because

I love You.

I pray

because

I know You

will make my dreams come true.



But, God,

one dream was a mistake.

That one ugly

stupid

selfish

ungrateful dream.



I know

I often wished

he’d go to hell.



But God,

I didn’t really want the devil

to come and take him away from me.

It was just childish retaliation.

And, I was asleep, You see.



God,

in future

please grant not all my wishes

unless they be

what You want

for me.



God,

why was my father

murdered?

Why, God, why?



God,

did my father die

that I might live?



Why, God?

PRAYER

A blessed gift

acknowledged

laid wasted

nevertheless

half a lifetime

like an unused broom.



A predicted

early death

the receiver

springs to life

creating mystically

unceasingly.



Uplifted face

strains to pause

sending a smile

beyond the heavens.

The message:

"Thank you Lord

for not taking my talent away.

I'm gonna make you proud of me

as of today."

PEACE, PLEASE

My hungry eyes

travel

often

to the frozen ocean

above

searching

for a sign



The ocean

unleashes

its stinging,

glowing whip.

Death draws near.



It sends a message -

Let there be no more wars.

Let sickness not strike us all.

Let there be peace on earth.

Let the only weapons

be tools





Did you enjoy reading my poems? Has your curiosity been aroused and you would you like to purchase my book? Or, have you decided not to purchase my book at this time?

I thank you very much for visiting my website. Please do check it out again at a future date. It may contain interesting changes :-)))



All Poems, Photos (c) Jennifer M. Garnatz







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Book Description

“Romantically Erotic Deadly Spiritual Society” is an unusual poetry collection covering diverse aspects of life. The title, alone, already reveals to the reader that this book will take him or her on a very emotional journey of romantic highs and lows, crossing over the bridge of grief of a lost one, and finally reaching the mountain-top destination of spiritual and social awareness. As my good friend, Harvey Ganot, rightly puts it: “These are poems to stir your thoughts, to spark your loins”.

This poetry volume contains 35 poems divided into 4 main sections subtitled: Romance, Friendship (7 poems); Spirituality, Death (10 poems); Eroticism (5 poems); Society, Nature (12 poems). The introductory page of each part contains photos as the section-divider.

Many poems are written in the first person. Why? From early childhood I enjoyed, and still do enjoy, reading books written that way. Thus, not everything is about my personal experience, contrary to what you may think. I am aware that not all people will appreciate that. Many poems contain questions. The ideas simply flowed automatically that way.

“Tactics”, the first poem in the book, speaks directly to men telling them not to brand a woman as being ‘easy’ because they, the men, are also targeted by women — it works both ways.

“Calling God” is a marvelous prayer to be read and kept in mind.

On the subject of death, I deal with, amongst others, my father’s murder, which occurred on August 11, 1973 — six weeks before my 20th birthday. A particularly deep, moving poem is “Soliloquy I” in which I speak directly to him in his grave.

My poems are quite direct, full of intensity and, I’ve been told, show a lot of courage — as in the erotic poem “US”. However, I feel my erotic poems are neither pornographic nor vulgar. I admit some are indeed on the border; but, they do not cross the line.

My ‘soft spot’ for the aged, the underprivileged and the handicapped is quite visible in various poems: in “Old Love”, an erotic poem about my grandparents’ love for each other; dedicated to the homeless, “Solace” and “Intruding Upon Your Isolation”; in “Best Friend”, a moving poem communicating with a former blind co-worker & friend in Jamaica whom I admired for his talent, his intelligence, his desire to pursue an education at university. In “Fly High”, a mother bird advises her now grown offspring before leaving the nest for good, to be careful in future of the beast called ‘man’, because his best friend is a thing called ‘gun’.

My concern about the human race’s (mis)treatment of each other in the world, and my hope for a better future — only achievable if we all really want to work together towards achieving it — are best expressed in the poems “Regardless”, “Holding On”, “Brutality”, “Peace Please”, “Spirits” and “The Cycle”. The latter two are excerpts of my original songs, which I have on demo-tapes.

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Purpose of Book

The real purpose behind this book can be found in the poem “PRAYER”.

In 1964, when I was 11 years of age, our English teacher, Miss Heron, gave the class an unusual homework assignment: to write our autobiography. From childhood, I had always wanted to become a writer, having discovered that talent at the age of 8 years. Inspired by my elder half-brother Patrick, I was also composing pop songs from 6 years of age. I had learnt to read and write very early. In school I always got good essay grades. Although surprised at her giving us such a topic to write on, in contemplating my future, I wrote that I was married, but did not have any children. The story continued that, while my husband was away on a business trip and I was playing with the children living in the orphanage financed from my royalties, one of the kids accidentally pushed me through the 2nd floor window. I fell below dying instantly. My predicted death was 54 years of age.

Decades have since passed. We are now in another century — the year 2022. I am happy and exceedingly thankful that God has spared my life. However, unfortunately, one prediction written in that essay of 1964 did indeed come true — I have no children. Guess that’s what you call destiny. I do love kids so gladly give my Godchildren, nieces, nephews, grandnieces, grandnephews & great grandnephews all the love within my heart. In that autobiography, I had promised God long ago to make use of the talent He bestowed upon me. So, you may deduce that my spiritual poems are my way of showing God my gratitude and spreading His word (See e.g. “God Said” & ”Calling God”).

In December 1998, here I was still in Hamburg, Germany, (18 months had stretched to 19 years!!!) taking a good stock of my life so far. I made a big decision. My New Year’s resolution was to actively make use of my God-given gifts. I had become too complacent.

In January of 1999, for the first time in my life I sat in the audience of a poetry-slam competition. Hartmut Pospiech & Tina Uebel were the moderators. In February, I gathered courage and, though shaking like a leaf, went on stage with my trembling voice to present one of my poems to be judged by the live audience. Fortunately, although I presented it in the German language, I was not booed off the stage. In fact, the audience wanted to hear more. I delivered happily. Their positive responses gave me the courage to continue attending such events. By December, I thought I was ready to be “tested” by the most difficult audience in The Big Apple. Hartmut, who by now had become my “Slam Papi”, recommended me to participate in an Open Mike session at the legendary Nuyorican Poet’s Café in Greenwich Village. I bought a plane ticket for New York. Upon arriving there, I signed my name into the guest poet book. The audience there loved my poem and the organizer invited me to return on my next trip to New York. I beamed gleefully, thankfully. In 2001, I proudly returned to the Nuyorican billed as a featured artist.

With so much encouragement, it was now my duty to discipline myself and finally make time to work on the hundreds of drafts of creative works that I had stashed away. One should not spend the rest of one’s like saying: “I would like to be a successful ......... ” One should rather spend the rest of one’s life trying every day to fulfil even one solitary dream.

It’s not about getting rich or becoming famous. It’s simply about fulfilling my own wish for myself. That’s what I set out to do and have accomplished with this debut poetry volume. It was an indescribably great feeling choosing which poems to include and later holding the first print copy in my hands. Grateful to be alive, now, I can go ahead working on fulfilling another dream.

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Intended Audience

Due to the erotic poems, this book is intended for everyone above the age of 16 years. The diverse themes dealt with in the book free it of any other limitations. Thus, naturally, the other poems may be read to younger teenagers or kids.

This poetry volume provides thought-provoking, yet relaxing, reading to the young and old, male and female, from all walks of life. This book is also ideal for even busy executives on a long journey, or alone in a hotel room, seeking a break from reading statistics and other business documents. “romantically erotic deadly religious” is a must for men and women involved in a committed relationship (particularly those men needing to stay away from temptation — please read the poem "US"). It is for those seeking love; for those who have experienced unrequited love; for everyone seeking more meaning to their lives; those wanting to, or needing to, get more involved in societal activities (help the poor, help the homeless, help keep your neighborhood safe) and for those seeking closure after the death of a loved one.

It is meant for people of all religious backgrounds. The spiritual poems will make one look within oneself, perhaps asking oneself “Am I really as good as I claim to be? Am I really the disbeliever I claim to be?” Even atheists will find it interesting to read! It’s common knowledge, after all, in times of emergency, even atheists often call out to God seeking support.

My poetry book is intended to make the reader examine his or her life: “Do I have a purpose here on earth? What is it? Am I fulfilling my purpose? Do I have a God-given talent that I am not exploiting for my own good and for the good of others? Have I achieved all my goals? Have I ever started out trying to fulfill even one solitary dream – be it professional, spiritual, emotional, financial?”

The poems "Without Hope", "Spirits Talk To Me", "The Cycle" and "Brutality" all provide a 'wake-up' call to everyone, particularly to politicians, religious fanatics, terrorists and criminals. The volume is also meant for those who have lost a loved one through murder and are seeking closure, those seeking communication with others who have had such a traumatic experience. My own father was brutally murdered.

The positive responses of men and women in Europe, USA, Africa, China, and Jamaica who have read my poems, as well as those who have heard me live on stage, have paved the way for this book to be printed.

At a reading, during the pause a member of the audience moved by my poems presented, once asked me: “Who is Jennifer Garnatz?”. I described myself as a fun-loving, human-lover, with a very deep side that’s concerned about humanity’s (mis)treatment of each other and our planet, so I do my best to treat nature, animals, insects, as well as people, regardless of age, race, religion, just as how I would like to be treated.

“romantically erotic deadly religious” is a book meant to be read by everyone capable of reading.

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Reviews

In all the years I've appeared on stage, from the mid 1980s to the present time, local and international audiences, online reviewers, book reviewers have all made me feel really blessed with their positive feedback. They admire, above all, my courage to address even "uncomfortable" themes, my deep personality, my directness, my unique style of writing which does not copy other authors. They also feel a sense of connection, as some have personally told me they experienced what I write about.




“Jennifer M. Garnatz, a poet, writer, playwright, and composer amalgamates her vivid imagination and personal experiences to create masterpieces that compel the soul and provokes thoughts. I wanted to check on the possibility of having her published work "Romantically Erotic Deadly Spiritual Society" featured in your store. The book is an anthology of provocative poems with subjects ranging from friendship, romance, spirituality, death, eroticism, society, and nature.” ... more

Some of these poems are the product of her deeper comprehension of life caused by solitude while living with her father. Feeling mired by her father's strict rules, she found herself expressing her thoughts through the tip of her pen. She often spoke to God during the years of forced solitude--it helped her develop her skills in creative writing. Unfortunately, her freedom came in the guise of death. Jennifer lost her father during an armed robbery. The image of her father's lifeless body stirred her understanding of death and the brevity of life and opened a different facet in her writing skills.

The anthology also displays a supple, elegant, and graceful invitation to a state of pondering. Jennifer is well-versed in using contemporary societal issues to provoke the mind into truly understanding what's going on in the world. She masterfully weaves poems intertwined with hard truths that readers may have to dig to find. A need to allow the mind to transcend into a higher understanding may arise to grasp the wisdom transcribed in the book. Jennifer also bravely taps into the passionate side of the soul by talking about sexuality, the desires of the flesh, and how it is related to our nature as humans.

Several topics are discussed, including love, keeping hope, praying to God, forgiving others, and repenting to become better versions of ourselves. Despite some sexual content, the rest of the book encourages everyone to love one another and leave the world in a better state than we found it. ... less

Angela Jones, an independent book agent
On behalf of: GREAT WRITERS MEDIA LLC, 2021





Pacific Book Review: “She has personified objects and body parts, giving them life in the respective moments, which was very unique. This is a different style of poetry that I am not accustomed to and it was a nice change to experience a different style of writing.”
Check out the review here.

Rae C. Bernard, 2019

The US Review: “The poet’s strength lies in the fact that she does not shy away from taking risks.”
Check out the review here.

Jonah Meyer, 2019

“Poems from the depths of the heart. She handles all themes, often choosing the direct speech, asking questions, fearless in expressing herself on various topics, opening herself completely in her erotic poems”.

Arndt Prenzel (journalist, ‘Eimsbüttler Wochenblatt’), 2002

"These are poems to stir your loins, to spark your thoughts.”

Harvey Ganot (NY, USA), 2001

”The book itself was definitely worth waiting for."

Stephen Hearn (L.A.), 2001

“Her poems show intensity. “US” is at heart a serious poem in which a woman seeks to find the real reason her lover is having a sexual relationship with her”

Michael Reckord (journalist, Jamaica Daily Gleaner), 2001

“Your book is first class! Couldn’t put it down; had to read it all in one go!“

Tina Uebel (Author & Hamburg Poetry Slam Organizer:
Hamburg ist Slamburg – Offener Poetry Slam), 2001

“unique talent“

Hartmut Pospiech (Author & www. writersroom.de), 2001

“Her poems are emotionally moving, exciting, arousing.“

Peter Schütt (Hamburg, Germany, author of 'Notlandung in Turkmenistan' etc.), 2000

“striking images“

Novl Gae (Amazing Instant Poetry Board staffer) wrote of ‘Prophecy’, 2000

“’Tactics’ is a slightly unusual honest verse in which Jennifer Garnatz exposes the inner heart and soul of a woman honestly and impressively. I found these bitter-sweet words touched my own soul as a reader and as a man. The other poems all had something I liked about them, whether in the religious, morbid or erotic sense. But ‘Tactics’ just stood out as something I can really put on my site."

James E. F. Riley (formerly Onlinetheater.com, USA), Sr., 2000

poetry.com: stating "unique talent”, presented me with the Editor's Choice Award for 'Reflections', which also appears in their anthology 'Beyond The Horizon'.

Howard Ely (managing editor of The National Library of Poetry, Maryland, USA), 1998

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Due to the great encouragement and interest of many friends in my poems as well as the live audiences, this poetry volume was published in 2009. In 2021, upon further request, a slightly revised version came on the market. Both editions are available only via online bookstores in print and as an e-book

Edition 2009
Edition 2021

You could order worldwide for example via:





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OLD LOVE

Poem dedicated to my grandparents inspired by their love for each other.


My deepest gratitude to Holaku Mameghani (sadly died in 2021), managing director, and his team for their wonderful support.





Videos, Performances.

I am very honoured and delighted to have been allowed to perform for video sessions and live onstage in renowned locations in Canada, USA, Jamaica and Germany.

It´s a great honour, and I am blessed to have been invited by The Fertile Brains (an international poetry society based in India) to present some of my poems (Oct 2022). Had a great time. Hope you enjoy them. Here is the link to YouTube.

My Video Session.

Since I was setting up my website, I thought it would be a great idea if visitors were not only able to read the text of some poems, but were also able to actually see my facial expressions and to hear my voice. I decided to do a video session presenting various of my poems for which I had received lots of applause from the public during my live performances. ... more

Therefore, in March 2001, I approached Holaku Mameghani (sadly deceased May 2021), managing director of High Media Film- und TV Produktion GmbH in Berlin. His company had done splendid work for my previous employer, so I had already experienced his professionalism. I had also felt comfortable in his presence. You can imagine how extremely thrilled I was when I phoned him explaining my intentions and he immediately agreed to take on my project even though I was just “a small fry”. He stated he found my ideas interesting, and he looked forward to working on something “different”.

A few days later I travelled from Hamburg to his offices in Berlin. I was welcomed by three members of his team who would be filming me. Heiko Götze was the team leader. Mr. Mameghani had already advised me that he would be away on a business trip. Although I knew most of the poems by heart, I was so nervous and in total awe when I entered the studio.This was the very first time I was being professionally filmed; the first time I had to focus on looking into a film camera, of flirting with a film camera. His team was focused on me. I realized then what film actors had to go through performing in front of strangers and doing retakes whenever they messed up their lines. In my nervousness, I messed up a few times, so I had to use the original book as a prop while reciting.

The next day Holaku Mameghani was back in Berlin. He invited me to sit beside him and watch him doing the postproduction of the recordings. I felt honored and thrilled to be allowed to witness how he edited the videos and did the mastering. His response when I later requested the bill, brought tears to my eyes…. He kindly informed that I would not have been able to afford it should he really charge me the normal price. He stated that his staff had informed him they had a lot of fun listening to my poems and working with me. He added he also had lots of fun watching the videos and doing the postproduction; thus, he had decided to sponsor the video, so it was free of charge. Tears welled up in my eyes. I was speechless. His only request was that I credited his company on my website. That was the least I could do. I was really touched at his generosity, especially knowing he had to pay his staff for working overtime. They had worked with me during the night. I was very grateful to them. Over the years he became a very close friend watching my progress and encouraging me. I shall always be grateful to and indebted to him for the rest of my life. ... less

Below is a list of videos specially selected for your listening pleasure - simply click on the title. A click on the word ‘INFO’ beside each poem leads you to the real background, the occasion that inspired my thoughts on the theme of each poem.

Old Love, englisch ... INFO

Old Love, deutsch

Holding On ... INFO

Tactics ... INFO

Solace ... INFO

I want it hot ... INFO

Reflections ... INFO

Brutality ... INFO

The Shower ... INFO

Intruding upon your isolation ... INFO





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About OLD LOVE.

I grew up admiring my grandparents’ love for each other, their gentle treatment of each other. My marriage sadly, unexpectedly only lasted a few years. I never remarried. I wish mine had lasted as long as theirs. After my father died, I had wanted to take them to my home in Kingston but never did: I rightly sensed they needed to remain in their own home in the country, close to their lifetime neighbors and friends. Fortunately, relatives lived close by. Towards the end of their lives my grandfather sadly became blind, my grandmother lame. There was no place in their wooden hut for a wheelchair; thus, she remained bedridden. Fortunately, they were both still totally active in their brains, totally aware of all that was going on. I enjoyed visiting them and seeing him sitting by her bedside, holding her hands, communicating with her, hearing them laugh. I could feel their love seeing the way his visionless eyes turned towards her, seeing her looking lovingly at him, hearing his soft voice, seeing him gently touching, caressing her hands. It was witnessing this again during one of my visits that a naughty little thought entered my brain: “What a pity they can no longer have sex”. The poem “Old Love” was born in which I put myself in place of my grandfather declaring his impotency to my grandmother and expressing his wish to still be physically close to her.





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About HOLDING ON.

“Holding On” describes the suffering of Black people and their families – poverty, famine, which causes inability to care for their children. Nevertheless, they know they must keep on smiling to give themselves and their loved ones courage to get through another difficult day.





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About TACTICS.

Society has a way of discriminating against girls & women who have sex before marriage. In “Tactics” I am playfully advising men & boys not to brand us as being “easy” simply because a female agrees to have sex within a few days or weeks of their first meeting, or before marriage. It works both ways. We could also say the same of males who give in to us before we agree to marry them.





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About SOLACE.

I have a soft spot for the aged, the homeless. A thief climbed over the fence and entered my yard once, climbing the mango tree to pick fruits. Fearful and alone at home, I quietly stayed inside the house watching. Fortunately, he had no intention of breaking in to steal. He was merely hungry. Although he was young, this experience inspired me to write “Solace”, which describes a homeless woman who, due to hunger, steals fruits from someone’s garden. Seeing the homeless, seeing beggars on the streets always makes me sad. I sometimes give them money. If a bakery or eatery is close by, I sometimes buy a drink, a sandwich, or a box meal for them. It makes them feel good; it makes me feel better. I simply take the time to donate, if not in a hurry to go somewhere.





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About I WANT IT HOT.

“I Want It Hot” is a playful erotic poem telling a partner how willing one is to succumb to his/her love-making.





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About REFLECTIONS.

As mentioned in my bio., I grew up without a mother or mother-figure, raised by a super-strict father. His strictness remained even though I had already been working for a year as an executive secretary. After work or church, I had to be home within an hour. I longed for my freedom. Freedom came one year and two weeks after I began working. I never wanted it to come that way. He was shockingly, unimaginably, sadly, brutally murdered. The way he died plagued me with a guilty conscience for wanting to be apart from him, for wanting him to get out of my life. This horrible, painful feeling gave birth to this poem titled “Reflections”.





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About BRUTALITY.

I never used to be fearful of being attacked, being robbed, being killed. That all changed the night my father was murdered on August 11, 1973, six weeks before my 20th birthday. The following few months, I left a light on at nights. I became more aware of the crime rate climbing. A few weeks after his burial, robbers entered the house and stole furniture etc. The newspaper had carelessly given our exact street address. Now, everyone knew, the man of the house no longer existed. I lived alone at home. Fortunately, I was not there at the time. I moved out afterwards. Even I had been held up in the street and robbed a few years later. I had always been aware of the disparities between the diverse social classes. Now, I became more aware of societal problems inland and overseas. I knew they were here to stay, yet I kept wishing, praying for a better world. “Brutality” expresses my simple wish.





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About THE SHOWER.

In March 2005, while working as an executive assistant at one of Germany’s major magazine publishing companies, the PR director, Dr. Christoph Moderegger, approached me stating that he heard I write romantic poems. I confirmed this. He mentioned that the next photo exhibition to be held would be an erotic-themed one displaying photos of Ms. Astrid Obert-Hüber. The company regularly held photo exhibitions in the main foyer as well as in another area. These exhibitions were open to the public. I was extremely surprised when he requested me to present some of my romantic poems during the official opening of the exhibition.

Thrilled and honored I immediately agreed. My mind immediately told me to be cautious and request to see the folder of the photographer, in order to know how romantic/erotic I should allow my poems to be. I did not want to lose my job by doing anything which could be considered pornographic. He said he would send me the album and the ones with a red X would not be allowed to be displayed. The next day, I received the folder. Since I had no urgent work, I put aside what I was doing and immediately leafed through it. While doing so, three of them immediately caught my eye.

• A Woman lay on her back on the bed wearing only her undershirt and panties.
• A woman, with her soap-sudded body was in the shower. The index and middle finger of a man enclosed her nipple.
• A soap-sudded back of a woman was in the shower. A man placed his 5 soap-sudded fingers on her buttocks.

My brain made a click. I instantly started writing “The shower”. The idea flowed in German. I later had to translate that poem into English. After presenting my selected poems, which were previously approved, during the opening I explained to the audience my source of inspiration. I then gave the photographer a printed copy of my poem "The Shower”. The look in her eyes showed me her appreciation of my poem and this gesture. A few days later she surprised me by giving me two large photographs. One of them showed Photo No. 3 - see below.

I shall forever be grateful to Mrs. Obert-Hüber for her inspiration and for her precious gifts.







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About INTRUDING UPON YOUR ISOLATION.

Have you ever wondered what caused some people to lose their mind, becoming mad, talking to themselves? I have, often wishing I could help, resigning myself to the fact that I can’t. I grew up seeing them on the streets of Kingston, Jamaica. I see them on the streets of Germany, where I presently reside. I’ve seen them on the streets of New York. Seeing them always makes me sad. In “Intruding Upon Your Isolation”, I am imagining myself speaking to a homeless, mad person in an attempt to get this person to communicate with me, to think, so that I may understand and render assistance.





Cheikh Kane.

Cheikh Kane

Senagalese Musician / multi-instrumentalist / Singer /Music Teacher / Instrument-Builder (sadly deceased April 2016)

Kindly allow me to introduce you to the late Cheikh Kane. From the first few seconds of hearing him playing one of his flutes, I knew that he was the musician I had been yearning for to accompany me during my poetry readings/performances. I’m not ashamed, but instead quite proud, to admit that I shall always definitely remain addicted to his voice, his musical arrangements, his humble soul. My soul needed to be cradled. Listening to him playing and/or singing, was/is like hearing a lullaby bringing peace and calm into your world. I shall always be eternally so grateful to him for consenting to collaborate with me and for becoming a very close friend. Am deeply saddened that he left this world so early due to illness, but he has left behind his precious voice and talented musical skills for all to enjoy. He shall forever be missed. May he rest in peace.

Left to right: Cheikh with his self-made flutes and with his Senegalese Chora. (Photo credit: Skub Fotostudio, Freiburg, Germany, 2001) - Cheikh & I with my younger brother, Donovan, in Kingston, Jamaica, 2005. (Photo (c) my private archive) - Cheikh & I in Papa Curvin's former studio in Oracabessa, 2005, with the Studio Engineer and a friend. (Photo (c) my private archive)

The Man: Cheikh Kane was a tall, slim, quiet, soft-spoken, friendly, helpful, lovable, humble African brother from Senegal. His very warm, pleasant personality made everyone instantly feel completely relaxed around him. He had a velvety voice so soothing to hear, particularly when he sang. Cheikh’s voice had its own magical touch. Whether you are a male or female, young or old, including the kids who attended his music lessons, all enjoyed listening to him. His voice is a voice to be heard; his music arrangements to be allowed to flow through your brain letting you temporarily float in a stress-free inner world.

The Musician: Cheikh Kane is a multi-talent who studied classical music in his native Dakar, Senegal (West Africa) and later in Paris, France. Completing his studies using the flute, he was awarded a distinction for his music. He also won the West African competition “Les amis de la musique”. Cheikh has travelled throughout Africa and Europe accompanying various internationally-known musicians.

He was most famous not only for playing traditional music, but also for his own compositions and arrangements using the Kora, the Balafon, the Djembe and the typical Senegalese bamboo flutes. His style of playing gets one addicted to wanting to listen for hours and hours, day in, day out.

Cheikh made Germany his temporary home for many years, residing and working in Freiburg, where he eventually sadly died. However, he constantly traveled to his native Senegal gathering material for his other passion — the development of new instruments. One of them is a Balafon which can be played while moving.

His solo concert programs included playing music of diverse styles with his various instruments. His African ballads, which he also played with an ensemble, are soothing to the ear. Cheikh Kane also arranged musical programs for all types of social events.

The Music Teacher:Cheikh Kane gave individual as well as group lessons on diverse flutes and the Kora. He also organized workshops. In addition, he coached rhythm groups and bands. After teaching his students the basic techniques for playing the instrument of his/her choice, the student then learnt:
• traditional West African melodies
• modern accompaniment techniques
• improvisation

The Instrument-Builder:Cheikh made traditional African flutes as well as kale bass instruments to suit each individual.

The Instruments:There are people good at imitating voices. Cheikh Kane was a master at guiding his various types of flutes to create fantastic, soothing sounds imitating all kinds of birds. The listeners become totally relaxed; their minds are transported into a different world in which only nature and peace reigns.

THE FLUTES
• Classic bamboo flutes
• Bansoori — Indian bamboo flute
• Toxoro — African bamboo flute
• Mbatusi — African Kale bass flute

THE KORA
• A West African kale bass instrument of the Malinke people with 21 strings















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Would love to get your comments or questions.

Mail: info@mauvea.com

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Mail: info@mauvea.com

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